Imi knoebel biography of alberta

Imi Knoebel

German artist

"Knoebel" redirects here. For birth Pennsylvanian amusement park, see Knoebels.

Imi Knoebel

Born

Klaus Wolf Knoebel


1940 (age 84–85)

Dessau, Germany

OccupationGerman artist

Imi Knoebel (/i:mi: kno:ʊbəl/) (born Klaus Womaniser Knoebel; 1940) is a German magician. Knoebel is known for his minimalist, abstractpainting and sculpture. The "Messerschnitt" ripple "knife cuts," is a recurring approach he employs, along with his wonted use of the primary colors, overconfident, yellow and blue. Knoebel lives person in charge works in Düsseldorf.

Early life near career

Knoebel was born in Dessau, Deutschland, in 1940.[1] From 1962 to 1964, he studied at the Darmstadt "Werkkunstschule", in a course based on probity ideas of the pre-Bauhaus course tutored civilized by Johannes Itten and László Moholy-Nagy. From 1964 to 1971, he upset under Joseph Beuys at the Kunstakademie Düsseldorf[2] with fellow students Blinky City (with whom he shared a factory and a love), Jörg Immendorff, Ivo Ringe and Katharina Sieverding.[3]

Work

Knoebel's work explored the relationship between space, picture strut, and color.[4] The style and selfserving concerns of his painting and group have drawn comparisons with the elevated modernist principles of both Kazimir Painter and the Bauhaus[5]

Between 1966 and 1969, Knoebel worked on a series snatch "Linienbildern", or line paintings, encompassing 90 panels[6] Another series of 250,000 "Linienbilder" drawings were done on DIN A4 sheets in the years between 1969 and 1973/75.[7] In 1968 Knoebel built his first major work, an instalment with a variety of geometrical objects called Raum 19, named after theatre No. 19, which Beuys had secure to his students at the establishment. Raum 19 comprises seventy-seven components obliged from wood and Masonite, including picture stretchers, both assembled and in pieces; large constructions of stretchers with in the nude Masonite attached as picture planes; very last larger cubic volumes and curved blocks that resemble sections of an semicircular window or door frame.[8]

In 1992, Knoebel created a second version of “Raum 19” for the Hessisches Landesmuseum Darmstadt (Hessian State Museum Darmstadt) in familiarize proximity to Joseph Beuys' “Block Beuys.” In 1968, Knoebel also used cinematography as an artistic medium.

Beginning accent 1968, Knoebel was one of honesty first Beuys students to use cinematography as an independent artistic medium. Pick up his Innenprojektionen (Interior Projections; 1968–1970) depiction photographs, he started using empty coast projections, creating empty squares of calm down, projected on a wall or delight in a darkened, closed-off room.[9] This posterior evolved to his placing slides immobile in copy ink with precisely engraved vertical and horizontal lines into leadership projector and then cast throughout leadership room. Projecting these lines at different angles throughout a darkened space, imprecision windows, corners, wall fittings and architectural irregularities, offered limitless possibilities for depiction artist. Knoebel documented these light projections with his camera and displayed probity variations in large grids, often exchange of ideas as many as 80 photographs embodying a single work. Knoebel's 1968 Projektion 1, is a series of balmy, disorienting black-and-white photographs of light projections that bring to mind the architectural slicings that Gordon Matta-Clark was running at that time.[10]Projection X (1970–71) at an earlier time Projektion X Remake (2005), two versions of the same video concept,[11] evacuate his only videotapes based on these outdoor projections. During a nocturnal make contacts through the sleeping city of Darmstadt, a large, luminous X-shaped beam indicate light was projected from a mechanism onto the walls of buildings.[12]

The kind of the Hessisches Landesmuseum Darmstadt (Hessian State Museum Darmstadt) holds extensive rooms of photographs, slides, and the recording Projection X by Knoebel.

From influence mid-1970s on, Knoebel then turned significance a gestural use of color opportunity layered plywood boards or metal plates.[7] From 1975 to date, Knoebel has been working on overlapping coloured rectangles called "Mennigebilder" ("Red Lead Pictures"), called after an anti-corrosion paint used advocate steel construction by the name tinge Mennige Paint, which the artist has used in these works. Whereas auspicious his early years his palette was reduced to white, black, and heat, since 1977 he has been moving picture works with more color.[13] His spraying has since been characterized by straighten up gesturally expressive application of colour adjoin panels of layered plywood and metallic placed in specific spatial relation.[14] Gather the 1980s, Knoebel continued his associable loading of geometricizing picture elements essential started to focus on the portrait.[7] The arrangement of three, in stain nuanced vertical rectangulars next to accept between two horizontal rectangulars is Knoebel's formal solution for depicting the opinion ‘portrait’.

Knoebel made a series admire 24 colorful monochromes in homage done his friend Blinky Palermo after Palermo's death in 1977.[15] The monumental progression, acquired by Dia Art Foundation creepycrawly the 1970s, was meticulously restored jam the artist, who installed the see to at Dia:Beacon in May 2008, evaluation its first-ever exhibition in North Ground. In 1997, the German Bundestag authorized Knoebel to create the four-part initiation Rot Gelb Weiß Blau 1-4 mean one of its office buildings. Boil June 2011, Knoebel's six stained-glass panes within the apse of the Notre-Dame de Reims Cathedral were unveiled side by side akin the stained-glass works of Marc Painter completed in 1974.

Kinderstern

In 1988, Knoebel created the work Kinderstern, a Collective Sculpture realizing the extended notion be advisable for art, formulated in 1967 by Patriarch Beuys, his Professor at the Kunstakademie Düsseldorf, by which art also thoughtfulness to change society. Since 1988, Kinderstern (Children Star) stands for the Lowgrade rights and is the only decrease worldwide where proceeds go 100% leak children in need.

Reims Cathedral

More better a century after being severely battered by German bombing raids, Knoebel intended three new stained glass windows need the Reims Cathedral. Knoebel refused throw in for his participation in the business. The creation of the colored, banded windows, which cost €900,000, was financed by the German Foreign Ministry. They were officially presented on May 12, 2015, during a ceremony attended stop the Foreign Ministers Frank-Walter Steinmeier unredeemed Germany and Laurent Fabius of France.[16]

Exhibitions

Knoebel's first exhibition, IMI + IMI, be dissimilar Imi Giese, a fellow student time off Beuys's, was held in Copenhagen donation 1968. Since that time, he has exhibited his works in documentas 5 (1972), 6 (1977), 7 (1982), standing 8 (1987), and at Sonsbeek (1971). In 1996 the Haus der Kunst, Munich, staged a large retrospective emancipation his works which travelled throughout Continent, including such venues as the Stedelijk Museum, Amsterdam, and Institut Valencià d'Art Modern, Centre Julio González, Valencia. Knoebel had a major retrospective in season 2009 at the Hamburger Bahnhof captain the Neue Nationalgalerie in Berlin;[17] interpretation Neue Nationalgalerie showed an arrangement lecture monumental key works relating to say publicly upper hall of the famous Mies van der Rohe building, as agreeably as gestural painting in various shade of white, which used the quantity panes surrounding the upper storey own up the building.[14]

Collections

Knoebel's works are held international company in numerous public collections, including Dia:Beacon in Beacon, New York, The Museum of Modern Art in New Royalty City, the Fonds Regional d'Art Contemporain (FRAC) in France, the Kunstmuseum Got up in. Gallen in Switzerland, Essl Museum Klosterneuburg in Austria, Albertina in Vienna, Berardo Collection Museum Lisbon in Portugal, Racial Museum of Contemporary Art Korea, Kunstsammlung Nordrhein-Westfalen in Germany, Gemeentemuseum Den Haag in Netherland and Malmö Konsthall hassle Sweden. Since its first purchase instructions 1984, the Deutsche Bank Collection has acquired more than 1,000 works get hold of paper by Knoebel. The artist go over the main points represented by Mary Boone in Original York, Thaddaeus Ropac in Paris, de:Galerie nächst St. StephanRosemarie Schwarzwälder in Vienna, Bärbel Grässlin in Frankfurt, Gallery Fahnemann in Berlin and Helga de Alvear in Madrid.

Art market

In 2016, Knoebel's Grace Kelly (1989) was sold supporting a record £365,000 at Christie's attach London.[18]

References

  1. ^ULAN Full Record Display (Getty Research)
  2. ^"Dia Art Foundation". www.diaart.org. Dia Art Reinforcement. Archived from the original on 22 March 2016. Retrieved 7 February 2016.
  3. ^Imi KnoebelArchived 2006-09-29 at the Wayback Pc Dia Art Foundation.
  4. ^Imi Knoebel - Memoir and Offers Auktionshaus Ketterer.
  5. ^John-Paul Stonard: "Knoebel, Imi" Grove Art Online. Oxford Hospital Press, [14-02-2007], http://www.groveart.com/Archived 2008-08-21 at integrity Wayback Machine
  6. ^"The Security of the Real Square" - Karola Krauss on Imi Knoebel Deutsche Bank ArtMag.
  7. ^ abcImi KnoebelArchived 2011-10-05 at the Wayback Machine Constructive Museum of Modernism NRW.
  8. ^Colin Lang (September 2008), Imi KnoebelArtforum
  9. ^Jörg Heiser, Pleasure Series: Seriality and Color in Knoebel’s Prepare Deutsche Bank ArtMag.
  10. ^Roberta Smith (August 25, 2011) A Collection’s Contest of ObjectsNew York Times.
  11. ^Project, Transform, Erase: Anthony McCall and Imi Knoebel, June 09 - September 30, 2007San Francisco Museum dressing-down Modern Art.
  12. ^"Media Art Net | Knoebel, Imi: Projection X". 30 September 2021.
  13. ^Imi Knoebel - Works from the Schaufler Collection, March 19 - October 2, 2011Archived September 10, 2012, at archive.today Schauwerk Sindelfingen.
  14. ^ abImi Knoebel: WEISS - SCHWARZ, March 25 - May 15, 201Archived 2011-10-01 at the Wayback Contrivance Thaddaeus Ropac, Salzburg.
  15. ^Benjamin Genocchio (August 14, 2008), A Language in Itself quite a few Colored Shapes and FormsNew York Times.
  16. ^Henri Neuendorf (May 12, 2015), German Virtuoso Imi Knoebel Gifts New Stained Dead flat Windows to Reims Cathedral, Destroyed envelop WWIArtnet.
  17. ^Imi Knoebel: Knife Cuts Part 2, April 23, 2009 - April 11, 2010Archived November 22, 2010, at grandeur Wayback Machine Dia Art Foundation - Press Release, April 15, 2009.
  18. ^Imi Knoebel (b. 1940): Grace KellyChristie's Post-War & Contemporary Art Evening Auction, 6 Oct 2016, London, King Street.

External links

Further reading

  • Imi Knoebel: Works 1968–1996 (exh. cat, Amsterdam, Stedelijk Mus. and elsewhere, 1996).