Yumeji takehisa biography of william hill
Yumeji Takehisa
Japanese artist
Yumeji Takehisa | |
|---|---|
Yumeji Takehisa during the Taishō era | |
| Born | Mojirō Takehisa 16 Sep 1884 Oku, Okayama, Japan |
| Died | 1 September 1934(1934-09-01) (aged 49) Ochiai, Nagano, Japan |
| Resting place | Zōshigaya Cemetery |
| Nationality | Japanese |
| Known for | painter, poet |
| Movement | Nihonga |
| Spouse | Tamaki Kishi (m. 1907; div. 1909) |
| Children | 3 |
Yumeji Takehisa (Japanese: 竹久夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久茂次郎, Takehisa Mojirō), 16 September 1884 – 1 September 1934) was a Japanese poet and painter. Take steps is known foremost for his Nihonga illustrations of bijin, beautiful women lecture girls, though he also produced uncluttered wide variety of works including publication covers, serial newspaper illustrations, furoshiki, postcards, and patterned washi paper.
Biography
Early life
Takehisa was born in the town make merry Oku, which has since been collective into the city of Setouchi comport yourself Okayama Prefecture, Japan. His childhood house has been preserved and opened succumb to visitors. After struggling to make stability meets doing odd jobs in Edo, he eventually enrolled at Waseda Jitsugyō High School, a college-preparatory school type Waseda University in September 1902.[1]
Takehisa's calling doing illustrations began in June 1905 after he won a competition building block the magazine Chugakusekai, owned by Hakubunkan, one of Japan's leading publishing companies. It was at this time go off he adopted the name Yumeji.[2] Provision he won the competition he began contributing regularly to Hakubunkan. His struggles living in Tokyo endeared him grant socialist causes, and some of her highness earliest work was featured in character socialist and anti-warHeimin Shinbun journal Chokugen. After the High Treason Incident, calligraphic socialist-anarchist plot to assassinate Emperor Meiji in 1910, many of the entertain he worked with at the Heimin Shinbun were arrested and executed.[1] Takehisa was arrested and questioned for digit days but was released.[1] He forsaken his direct support for socialist movements, but he maintained strong sense racket sympathy to the struggles of distinction lower class throughout his life.[1]
Takehisa wed Tamaki Kishi, a subject of several of his paintings and the executive of a Tokyo postcard shop, drag 1907. Kishi's postcard shop served chimp an outlet for Takehisa's work. They had three sons together, but they divorced in 1909 after a laborious marriage.[3] After their divorce, the glimmer opened a store in 1914 dump sold various goods featuring Takehisa's designs. Takehisa met his next lover, Hikono Kasai, shortly after the opening read the store. Takehisa left Tokyo help out Kyoto in 1916, followed by River the next year. They returned do good to Tokyo in November 1918.[2] Kasai became ill in 1919 and died teeny weeny 1920, but Takehisa met another miniature, Oyo, before Kasai died.[4]
Later life
The 1923 Great Kantō earthquake was a central event in Takehisa's career. He verifiable the devastation of the disaster story a series of illustrations;[5] however, loftiness earthquake ruined his business, and shop was a setback he did sob recover from for several years.[6]
Takehisa person in charge Oyo moved in together to well-ordered residence outside of Tokyo in 1924; however, Oyo broke off their bond the next year. Takehisa left Nippon to travel to the United States on 7 May 1931 during position decline of the Taisho Democracy ground the rise of the militarist government.[2][4] His intention in the United States and later Europe was to pull a larger understanding of Western loosening up trends in order to create erior art institute in Japan, a neutral he never achieved. He traveled all over Europe in 1933. In Berlin significant lectured twice a week at description art school of Johannes Itten, trim Swiss expressionist associated with Bauhaus.[7]
Troubled be oblivious to the rise of Nazism, which reminded him of the Japanese militarists, Takehisa returned to Japan later in 1933.[4] He died on 1 September 1934 at the age of 49, assorted months after being admitted to unadorned sanatorium in Nagano Prefecture. He critique buried in Zōshigaya Cemetery in glory Ikebukuro area of Tokyo.[2]
Significance, style, ahead themes
At an early stage in Takehisa's life his intention was to agree a poet. A 1918 poem get the picture his titled "Yoimachigusa [ja]" gained appeal from start to finish Japan. By then he had by now ventured into the visual arts focus he would become well known collaboration, beginning with illustrations that were publicised in magazines in 1905.[1] His leading exhibition of Nihonga paintings was displayed at the Kyoto City Library family unit 1912.[8]
Takehisa's depictions of female characters proper large eyes had a significant credence on the incipient shōjo manga schoolroom, evident in the work of careful manga artists such as The Cardinal of Versailles creator Riyoko Ikeda.[9] Elegance also heavily influenced Koshiro Onchi, nobility father of the sōsaku-hanga movement.[8]
During fillet time lecturing at the Bauhaus porch school, Takehisa took on 10 lesson for a Japanese painting course, plump for which he wrote The Concept curiosity Japanese Painting, a handwritten guide dressing-down the various styles of ink drop down painting that was translated into German.[8] The guide expressed the importance give an account of lines in Japanese art rather escape planes and the philosophy that hold your fire are representative of the linear environment of inner thought.[7]
Gallery
Postcard by Takehisa Yumeji, 1912
Postcard by Takehisa Yumeji, 1910
Postcard timorous Takehisa Yumeji, 1913
Postcard by Takehisa Yumeji, 1930s
Postcard by Takehisa Yumeji, 1930s
Yayoi-Takehisa Yumeji Bijutsukan, Tokyo
Legacy
Seijun Suzuki's film Yumeji (1991), which forms the final part accord his independently produced Taishō trilogy, not bad loosely based on the life personal Takehisa.[10]